These four sculptural models reveal the full expertise of Focus craftsmen. Known for its smooth matte black finishes, the brand explores here a rawer approach to materiality, with visible welds and a waxed finish.
Design : Dominique Imbert, 1967
During the harsh winter of 1967, Dominique Imbert forged his first fireplace in the ruin he was restoring stone by stone, using pieces of metal gathered here and there: the Antéfocus was born. As its name suggests, it precedes the beginning of the Focus collection.
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Design : Dominique Imbert, 1975
Prometheus, the Greek mythological figure who stole the sacred fire from the gods to offer it to humankind, inspired Dominique Imbert to create a monumental sculpture: a giant hand capturing fire.
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Design : Dominique Imbert, 1988
A raw, primitive force emanates from its asymmetrical design. At the crossroads of art, architecture and metalwork, this piece composed of assembled flat surfaces was imagined before the rise of digital tools and laser cutting: it still represents a true technical challenge for the Focus workshops.A raw, primitive force emanates from its asymmetrical design. At the crossroads of art, architecture and metalwork, this piece composed of assembled flat surfaces was imagined before the rise of digital tools and laser cutting: it still represents a true technical challenge for the Focus workshops.
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Design : Dominique Imbert, 1993
A monolith of waxed steel with visible welds, the Magnifocus is cut through by a tear drawn by Dominique Imbert. Each opening reveals the fire and makes every piece a unique sculpture.
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